艺术作为救赎的阶梯——奥古斯丁的音乐美学思想新探

 

Art as the Ladder of Salvation: On Augustine's Musical Aesthetics

Author: LIU Chunyang, Associate Professor, College of Chinese Language and Literature, Wuhan University

Abstract:


<div font-size:17.5px;background-color:#dfeef7;"="" style="box-sizing: border-box;">

The great theologian Augustine firmly believed that art plays a meaningful role in the process of salvation. In the Greco-Roman world, music was one of the six traditional arts. This essay explores Augustine’s thinking on music and attempts to offer a systematic review and critique of Augustine’s aesthetics of music by contrasting two of Augustine’s key works– Confessiones and De Musica. In Confessiones, Augustine praises music for bringing about his conversion and as the best interpreter of his ear- ly post-baptismal Christian life. Simultaneously, however, he warns that the beauty of music could distract attention from true spiritual worship of God. In De Musica, Augustine investigates the nature of music, time and human existence, where “music is the science of modulating well” (Musica est scientia bene modulandi) and consists of number, order, and measure. The article explores how music, based on the human intellectus, is for Augustine a divine guide to lead us to the good life.



Keywords:

music, number, order, measure, salvation, Augustine


Full Text (International Version):

LIU ChunyangSCN JSCC.pdf

Full Text (Simplified Chinese Version):

LIU ChunyangSCN JSCC.pdf